February 20, 2020

“I can resist everything except temptation” and other famous quotes from Oscar Wilde’s play “Lady Windermere’s Fan”...

Oscar Wilde temptation quote WM
In 1892, Oscar Wilde was near the peak of his fame.

He had already gained international renown as a poet, essayist and wit. His novel The Picture of Dorian Gray — first serialized in Lippincott’s Magazine 1890, then published in book form in 1891 — was highly popular.

Then, in 1892, he enjoyed his first major success as a playwright with the production of his Victorian-era comedy of manners Lady Windermere’s Fan. (The full original title is Lady Windermere's Fan: A Play about a Good Woman.)

The play opened at St. James’s Theatre in London on February 20, 1892, where it ran to packed houses through the end of July. Some books and websites give the date February 22, 1892 for the premiere, but the majority — and the most authoritative sources — say the play opened on February 20.

Lady Windermere’s Fan has continued to be performed on stages throughout the world ever since.

The first movie adaptation was a silent film produced in England in 1916. In 1925, a more widely-seen silent film version was released, starring Ronald Colman and May McAvoy and directed by Ernst Lubitsch.

In 1949, Otto Preminger produced and directed an updated film version, titled The Fan. It starred Jeanne Crain and George Sanders. One of the scriptwriters was Dorothy Parker.

Noel Coward created a musical version of the play in 1954, which he titled After the Ball.

The BBC produced two Masterpiece Theatre-style adaptations for television, one in 1972 and another in 1985.

The most recent film based on Wilde’s play was made in 2004. Titled A Good Woman, it stars Scarlett Johansson as Meg Windermere. (Thanks to my fellow quote aficionado Dr. Mardy Grothe for bringing that excellent adaptation to my attention.)

Even if you’ve never seen any version of Lady Windermere’s Fan, you probably know some of the oft-cited lines from it that are included in many books of quotations.

In Act I, the character Lord Darlington makes the famed quip: “I can resist everything except temptation.”

In Act III, Lord Darlington says the sardonic line: “We are all in the gutter, but some of us are looking at the stars.” (My favorite reference to that line is in the 1981 song “Message of Love” by The Pretenders, in which Chrissie Hynde sings: “We are all of us in the gutter / But some of us are looking at the stars.”)

Also in Act III, the character Mr. Dumby utters the oft-quoted bit of wisdom: “Experience is the name everyone gives to their mistakes.”

An exchange shortly after that between the character Cecil Graham and Lord Darlington is the origin of the now proverbial definition of a cynic:      

       GRAHAM: “What is a cynic?”  
       DARLINGTON: “A man who knows the price of everything and the value of nothing.”

A few year’s after the success of Lady Windermere’s Fan, Wilde’s fortunes took a dramatic downturn.

He was imprisoned for violating England’s puritanical laws against homosexuality (which Wilde’s lover Alfred Douglas famously called “the love that dare not speak its name” in his 1894 poem “Two Loves”).

After being released from prison in 1897, Wilde published his last well-known work, “The Ballad of Reading Gaol,” the poem that contains the famous line: “Yet each man kills the thing he loves.”

Wilde was a broken, impoverished, sick man after serving his prison sentence. But according to legend, he gave us one final witticism before he died in a dingy Paris boarding room on November 30, 1900.

His dying words, as he gazed at the drab walls of the room were (purportedly): “Either that wallpaper goes, or I do.”

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February 01, 2020

The dark origins of the terms “the Dismal Science” and “Professors of the Dismal Science”…


“The Dismal Science” is an old but still commonly-used nickname for the realm of economics.

“Professors of the Dismal Science” is an old but still used nickname for economists.

Both were coined in the mid-1800s by the British historian, translator, essayist, author and mathematician Thomas Carlyle (1795-1881).

I suspect most people who see those terms used in news stories, opinion pieces and books nowadays just think they reflect the view that economics tends to be boring or depressing.

But the story behind their creation by Carlyle is more complex and more distasteful than that.

In a nutshell, Carlyle used the terms to criticize liberal, mid-19th Century social commentators like John Stuart Mill and modern-thinking economists who believed it would be best for society and the economy if people of all races were free from slavery and other forms of forced labor and had certain basic social and economic rights — such as the right to buy or produce and sell products as they saw fit, the right to decide what they wanted to do for work, the right to decide who they were willing to work for, and the right to reject levels of payment for their products or work that they deemed unfair.

Today, those beliefs are generally accepted. But it was a different world when Carlyle created the phrase “the Dismal Science” and dubbed progressive thinkers like Mill “Professors of the Dismal Science.”

Until the mid-1800s, slavery was a foundation of key industries in the UK and other European countries, and in the colonies they exploited in the Caribbean, Africa and elsewhere. It was also a foundation of major agricultural and industrial businesses in the United States, which lagged behind the UK in ending the practice.

The British Parliament outlawed the slave trade in 1807. In the 1830s, Great Britain emancipated the slaves on British islands in the West Indies and in other colonies.

This led to economic impacts that generated significant controversy.

British-owned plantations and industries that had depended on slave labor began going bankrupt. Some freed slaves became paid workers, but the pay was generally low. Many preferred to live off what they could produce from their own small pieces of land or entrepreneurial initiative. But unemployment levels were high among former slaves and most lived in extreme poverty.

Meanwhile, in 1848, white working class people throughout Europe were pushing back against traditional class-based, aristocratic political systems and unfair exploitation by businesses. A wave of rebellions — now called “the Revolutions of 1848” — swept through dozens of European countries. The goals were greater democracy, better worker rights and wages, and, in some cases Socialism or Communism.

Thomas Carlyle was disturbed by these events and trends and threw scorn at social and economic philosophies and observers that were sympathetic to them.

In 1849 he wrote a now infamous article published anonymously in the December 1849 issue Fraser’s Magazine under the title “Occasional Discourse on the Negro Question.” (It was reprinted in 1853 under the more offensive title “Occasional Discourse on the Nigger Question,” with the attribution “Communicated by T. Carlyle.”)

The piece is written in a satirical, cynical style that Carlyle apparently thought was both humorous and persuasive. The “discourse” it relates (basically a rant) is attributed to an unnamed but clearly white, upper-class speaker.

He mocks his “philanthropic friends” who supported the emancipation of slaves and believed in a laissez faire type commerce amongst free men, governed primarily by supply and demand. He said of those schools of thought:

“...not a ‘gay science,’ but a rueful — which finds the secret of this universe in ‘supply and demand,’ and reduces the duty of human governors to that of letting men alone…no, a dreary, desolate and, indeed, quite abject and distressing one; what we might call, by way of eminence, the Dismal Science.”

He went on to warn that “the Dismal Science, led by any sacred cause of black emancipation...will give birth to progenies and prodigies: dark extensive moon-calves, unnameable abortions, wide-coiled monstrosities, such as the world has not seen hitherto!”

The article in Fraser’s is full of obtuse, outdated language and references. It’s not easy for modern readers to understand. And, it could almost seem like Carlyle was mocking the speaker, not the anti-slavery, free market advocates.

But, in fact, Carlyle was essentially a racist and a supporter of class-based social systems and autocratic governments. He didn’t much like untalented, hereditary aristocrats, but he admired self-made tyrants, dictators and “Captains of Industry.”

In his 1841 book On Heroes and Hero-Worship, he proclaimed that “The history of the world is but the biography of great men.(The basis for “the Great Man theory” of history.)

Carlyle’s diatribe in the Fraser’s article argues that the recent history of Great Britain’s Caribbean colonies proved that laissez faire economic policies and the emancipation of black slaves were ultimately bad for both whites and blacks.

He suggests that the best course for the West Indies and “civilized” countries in general would be to go back to the “the beneficent whip” and compel the “indolent, two-legged cattle” who were former slaves and other such lesser humans — like the “unsold; unbought, unmarketable Irish” — to work.

Carlyle coined the phrase “Professors of the Dismal Science” in a series of pamphlets he wrote in 1850 called THE LATTER-DAY PAMPHLETS. It pops up first in Pamphlet No. 1, titled “THE PRESENT TIME” and dated February 1, 1850.

In the opening of that pamphlet, Carlyle outlines some of his basic beliefs. Here are a few examples:

     “Historically speaking, I believe there was no Nation that could subsist upon Democracy.”

     “I say, it is the everlasting privilege of the foolish to be governed by the wise; to be guided in the right path by those who know it better than they. This is the first ‘right of man;’ compared with which all other rights are as nothing.”

     “In all European countries, especially in England, one class of Captains and commanders of men, recognizable as the beginning of a new real and not imaginary ‘Aristocracy,’ has already in some measure developed itself: the Captains of Industry.”

Later in the first pamphlet, Carlyle includes what he portrays as a speech by a British Prime Minister that was aimed at poor, unemployed people; people like the millions in Ireland suffering from the potato famine and “other Beggars, the able-bodied Lackalls, nomadic or stationary, and the general assembly, outdoor and indoor, of the Pauper Populations of these Realms.”

The fictional PM, elucidating what are actually Carlyle’s views, urges these benighted souls to become “Soldiers of Industry.”

Carlyle anticipates that misguided do-gooders will criticize such views and inserts a parenthetical paragraph that includes his first use of “Professors of the Dismal Science.”

“Here arises indescribable uproar, no longer repressible, from all manner of Economists, Emancipationists, Constitutionalists, and miscellaneous Professors of the Dismal Science.”

Carlyle’s imaginary PM scoffs at such people and continues to bloviate. Carlyle apparently viewed what he says as inspiring, though it was not likely to be perceived that way by any impoverished Irish, working class Brits or ex slaves who heard or read it. Near the end, the PM says to them:

“Here is work for you; strike into it with manlike, soldier-like obedience and heartiness, according to the methods here prescribed,—wages follow for you without difficulty; all manner of just remuneration, and at length emancipation itself follows. Refuse to strike into it; shirk the heavy labor, disobey the rules,—I will admonish and endeavor to incite you; if in vain, I will flog you; if still in vain, I will at last shoot you,—and make God's Earth, and the forlorn-hope in God's Battle, free of you.”

In that first LATTER-DAY PAMPHLET, Carlyle links but does not limit the term “Professors of the Dismal Science” to economists.

However, over the decades, the term “the Dismal Science” lost its connection to the 19th Century debate over slavery, democracy and economic freedom in common usage.

It simply became a term writers use, usually in a humorous way, to describe economics in general. “Professors of the Dismal Science” became a common humorous description of economists.

Most people who use the terms that way today are unaware of the dismal social, economic and political views behind their creation by Carlyle.

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January 23, 2020

“I love it when a plan comes together.”


You may or may not be a fan of the ‘80s TV series The A-Team, but you probably know the famous catchphrase from the show:

       “I love it when a plan comes together.”

It was used frequently throughout the show’s five-season run from 1983 to 1986 by the team’s cigar-chomping leader, Colonel John “Hannibal” Smith, played by actor George Peppard.

Peppard first uttered the line in the 2-hour pilot episode “Mexican Slayride,” which originally aired on January 23, 1983 as an NBC “Sunday Night Movie.”

The first regular one-hour episode of The A-Team aired the following week, on January 30, 1983, following the Superbowl.

After that, the show moved to a Tuesday 8pm time slot.

Other members of Hannibal’s team of good-guy mercenaries included: Templeton “Face” Peck, played by Dirk Benedict throughout the regular series but by Tim Dunigan in the pilot; “Howling Mad” Murdock, played by Dwight Schultz; and, Boscoe “B.A.” (for “Bad Attitude”) Baracus, memorably played by Mr. T.

Naturally, Peppard’s catchphrase in the A-Team TV series was resurrected and used several times in the A-Team movie released in 2010, which starred Liam Neeson as Hannibal Smith.

Some people assume that the A-Team series is also the origin of another well-known catchphrase — Mr. T’s famous line “I pity the fool.” 

In fact, that line was first used by Mr. T in the 1982 movie Rocky III, in which he played Rocky’s boxing opponent “Clubber” Lang.

According to the A-Team experts (i.e., hardcore fans who have watched and rewatched the entire series) Mr. T never said “I pity the fool” in any of the 98 episodes of the show.

I’m willing to take their word for it.

I did enjoy watching The A-Team back in the 1980s and I still watch reruns of the show occasionally on one of the retro TV channels.

But I’m not quite up for watching all 98 episodes and paying close attention to every line. So, for now, I’m accepting the conclusion of the A-Team experts on the the question of whether Mr. T ever said “I pity the fool” in the series.

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November 27, 2019

“I’m mad as hell” — the misquote of a movie line that is itself a misquote!



During almost every recent election season, political commentators seem to talk about “angry voters” of one kind or another.

These disgruntled voters are usually said to be angry about certain current events or something politicians did or didn’t do.

During the last presidential election, I even saw one story that claimed “angry voters are now angry at the angry voters.”

In many stories about angry voters — and in online posts made by angry voters — a common quote used is: “I'm mad as hell, and I’m not going to take it anymore!”

When a source is given for that quote, it’s usually cited as a line actor Peter Finch says in the movie Network, which premiered in New York City on November 27, 1976.

Finch does say something very close to that in the movie.

But the commonly-heard “I’m mad as hell” version is not the actual movie quote.

Network was written by Paddy Chayefsky and directed by Sidney Lumet.

In addition to Peter Finch, the superb cast includes Faye Dunaway, William Holden, Robert Duvall, and Ned Beatty.

What Finch actually says in the movie, as network news anchorman Howard Beale, “the mad prophet of the airwaves,” is:

“I’m as mad as hell, and I’m not going to take this anymore!”

He says the line several times in Network, using the words “I’m as mad as” and “take this” — NOT “I’m mad as” and “take it.”

You can confirm what Finch says by watching the movie or by viewing the scene in which he first unleashes his frequently misquoted line on YouTube.

There’s also an excellent in-depth summary of Network on the AMC website. (It uses the word “gonna” in place of “going to,” though to my ears and in the script, Finch clearly says “going to”).

If you didn’t know Network was released in 1976, you might think the glorious rant Finch gives in it is a commentary on more recent times.

He starts out by saying: “I don’t have to tell you things are bad. Everybody knows things are bad.”

After warming up a bit more by citing a list of bad things, he delivers his call to action:

“So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window, open it, and stick your head out, and yell, ‘I’m as mad as hell, and I’m not going to take this anymore!’”

Ironically, in Chayefsky’s original script, Howard Beale is supposed to say “I’m mad as hell and I’m not going to take this anymore.”

But when the scene the line is first used in was filmed, Peter Finch spontaneously said, “I’m as mad as hell and I’m not going to take this anymore.” 

Director Lumet decided to keep the line as Finch spoke it, thus creating a movie quote that’s often misquoted, but which is itself a misquote of what was written in the script.

If you’re interested in misquotes, you can read about some others I’ve discussed in past posts by clicking this link, or by buying books like Ralph Keyes' The Quote Verifier and Nice Guys Finish Seventh, Garson O'Toole's Hemingway Didn't Say That, Elizabeth Knowles’ What They Didn't Say, or They Never Said It by Paul F. Boller and John George.

In the meantime, if you’re as mad as hell about the what’s happening in your community, your state, or in the US, get out and vote, damnit!

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November 16, 2019

Two famous quotes launched by Captain John Paul Jones…


The quotation most people associate with American Navy Captain John Paul Jones is “I have not yet begun to fight.” 

According to legend, Jones said that defiant line during a naval battle with the British on September 23, 1779 when a British officer asked if he was ready to surrender.

Some historians and quote mavens like Ralph Keyes have questioned whether Jones uttered those exact words.

The claim that he did was made a half a century after that battle and other accounts give different responses by Jones.

However, he did say something like it, and the backstory on the legendary version of his answer involves other famous words Jones definitely did say — in writing.

In the fall of 1778, during the height of the American Revolution, Jones was in France trying to get a new warship to use in the fight against the British.

The French government offered him a heavy ship named the Neptune they had captured, but Jones deemed it to be too slow.

So, he wrote a letter to French aristocrat Jacques-Donatien Le Ray de Chaumont.

De Chaumont was an influential member of the court of King Louis XVI who had been instrumental in arranging various types of French support for the rebellious Americans.

In a letter dated November 16, 1778, Jones told the French nobleman: “I wish to have no connection with any ship that does not sail fast, for I intend to go in harm's way.”

It had long been common to talk about getting someone or something “out of harm’s way,” meaning to remove them from some kind of danger.

But John Paul Jones is generally credited with the first recorded use of the phrase “in harm’s way.”

By the early 1800s, it became a common figure of speech, meaning “in the path of danger.”

It’s most often used to refer to men and women in the military, who are sent “in harm’s way” during wartime.

Not long after Jones wrote his letter to Monsieur Chaumont, the French government gave him a frigate named the Bonhomme Richard.

On September 23, 1779, Jones and the crew of the Bonhomme Richard fought their famous battle off the coast of England against the British war ship Serapis.

At one point, the Bonhomme Richard seemed to be sinking. The commander of the Serapis, Royal Navy Captain Richard Pearson, asked Jones if he would strike his flag and surrender.

That’s when Jones gave his possibly apocryphal reply: “I have not yet begun to fight.”

After lashing the Bonhomme Richard to the Serapis and fighting ferociously, the Americans won the battle and the crew of the Serapis surrendered to them.

In 1962, James Bassett’s bestselling World War II novel, Harm's Way, helped make the term taken from Jones’s letter more widely known than ever.

In 1965, the novel was adapted into the epic movie In Harm's Way, further enhancing the use and recognition of the phrase.

I haven’t read the novel, but I have seen the movie. If you haven’t, you should.

It was produced and directed by Otto Preminger and stars John Wayne, Kirk Douglas, Henry Fonda, Patricia Neal, Tom Tryon, Paula Prentiss and Dana Andrews.

In Harm’s Way is justifiably considered one of the greatest war movies ever made. And, as you now know, its title comes from the most famous words John Paul Jones definitely said.

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